Over the past few days, while fighting a cold, I've not had much energy for weaving. However, I did manage to wind off skeins of white 20/2 unmercerized cotton for a towel warp.
Today I got out my biggest dyepot (which takes up most of the stove-top) and started a dyebath.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3GJISKheTWOJs_2qLKo678mI_Ia1X1_0r3wMiOS1Q0WNbYCdgvUi5VE1WCwigY00E71pc1c97f1p6WL2nvxNIPKIblgFXAR24QocdXJsyv7xrggjxfizsd8DOxT4WbbykAT0v/s320/dye+kitchen.jpg)
The dye is a color called "cerulean blue" by the manufacturer/distributor; I call it royal blue. Here are the skeins in the early stages of the dyebath:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSiGKdHzay90bvVAanzc6yHcNDATfqNvuYHPZyG-bpmcN7wzUFfU-VBXzll-FuGGpMUxBp5AAaR2OIdHScrn1XANHoUyYURpL6SlH4vFxNkGw509zdDzlFmmv3HtHm-O29iLJ/s320/towel+warp+skeins.jpg)
That, my friends, is 13,600 yards of cotton, in 4 big dye skeins. I wanted to do them all in the same bath, because there's a better chance that way they'll all be the same color and depth of shade. I found that so much wet yarn weighs just about the max I can lift! Not to mention the pot with the skeins and dye liquor in it...
Here are the skeins after the first quick rinse; they're soaking in a bucket of cold water tonight, and will get one more rinse, then some time on the drying rack. The weather's been very dry, so that'll help speed things along.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZgEehEqwxayi95JUSVbxMK7joICGwR1Wj0JRm04UUkXHo1bme2oF8z1kSGpuCtb0t2KZX7m-f-b9uiSiGjYrSSLkQ6QuiJMUIXYJEkSRSaByZFvPPeJLNtP7CD5xEczj_5Qjl/s320/warp+skeins+rinsed.jpg)
I also dyed a small skein of 40/2 mercerized cotton for the hems of the towels, that I hope will match the warp pretty closely.
The weft skeins (30/2 mercerized cotton) are soaking in hot soapy water overnight to wet out thoroughly (they were still floating merrily on top of the water when I left the studio), and will get a brief simmer in more soap and some soda ash tomorrow to remove all the gunk and spinning oil, then will be dyed in 3 colors slightly different in hue than the warp but the same value. That's the plan, anyway.
The threading draft is for 5-end satin blocks:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWdABdqJjv1-ew1vvebJo3tz5BxE70Ui9EQ9epkhFPQsUgir5k37xPeWlkhsm26KO-Jk1iPoIdBgQhvO6Pu7t-KxdAUvucabMs_ZdSqa-RrhAJDyxcWKuFEooLYSDn-YNFuufh/s320/towel+draft.jpg)
This type of threading works with all manner of treadlings. I've come up with 15 different variations (the number of towels-worth of warp I've got). Some have symmetrical treadlings for traditional-looking block designs, some have turned satin warp stripes. A few use more flavors of 5-end satin than just the 1/4 and 4/1 shown here. You'll see them grow on the loom, once the skeins are dry, wound on cones, and beamed.
3 comments:
wow! i can never get cotton to dye so intensely.
What are you using as "hangers" for the dye skeins?
Teena Tuenge
Good idea about the teatowels. I have been making them for years and they do sell well at the gallery. I find that sometimes people like ones work but not everyone can fork out a big amount for a lovely scarf but people are quite happy to buy a teatowel.
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