
This is the subdued side of the cloth, where it winds onto the cloth storage beam at the back of the loom.
As a professional weaver, I'm in a constant state of changing what's on the loom: planning a project, dyeing yarn for the project, warping the loom with that new yarn, weaving, finishing, and so on. Blogging is a way for me to share the process, and a way for me to keep track of what I did when.
6 comments:
So, I'm guessing you went with no measuring and just weaving on this scarf?
Yes, Deb, this one is exactly like the first one, just plain stripes. On the next one, I'll do some swapping of layers, but still need to decide exactly how.
-- Sandra
that is always my struggle, how to change up a scarf thru the body and make the beginning and end balance. I can do it but the matching of weave structure along with the selvedge treadling balance to the core weave makes my eyes cross!
My thought is, "why do the ends need to balance?" I'm leaning toward small changes at one end (the first woven) expanding to ever larger changes along the length, so it's a dots-n-dashes effect: dots at one end and long dashes by the time I get to the other. After all, one of my strongly held opinions is that symmetry is overrated...
Sandra - I love the colours in this scarf and the satin effect is beautiful !
Dorothy
Very beautiful. I have just been reading Mastering Weave Structure and this scarf really demonstrates satin and it's effects on light. Thanks for sharing.
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