
The yarns for shawl #1 and shawl #2 were spun and plied in such a way that both plies are doing the color sequence at the same time. Very few places have the barber-pole effect created when the plies are doing different things colorwise.
However, the weft yarn for shawl #3 is a tweed yarn - total barber-pole. Each ply is a different colorway, changing color sequence at its own rate. The result is a much more muted color sequence and subtler impact on the woven pattern. Here's a look at the pirn in the shuttle. If you click on the picture to see the larger version, you can easily see the difference in the plies.

And here's a larger view of the cloth. The design is more evocative of a pond than of ripples in a stream or river, as in shawls 1 and 2.

Again, the warp runs from right to left, and the weft from top to bottom of the photo.
I've only got a few more inches to weave, and my mind is already leaping ahead to what's going to be next on the loom. Several possibilities lurking, but no decisions yet. Stay tuned.
2 comments:
It is beautiful work as always. I just realized that you have an antique end feed shuttle. From the picture I gather it is one of those really heavy ones. Do you use it as a regular shuttle? How does it work? I have one but I am afraid to use it......I believe it can easily turn into a weapon!
Hmmm. This gets me thinking about spinning fine wool singles with a color gradation. I do love the effect you are getting with this yarn.
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